But to deny access to the very people that were even consuming the music in the first place is a whole other mess, and again highlights the major issue that “Short ver.” music videos present. Going as far as creating a music video for a song 35 years after its initial release, and a whole year after its initial virality is one thing. While the song was celebrated in Japan by a number of people on the same train as everyone else in the globe in 2018, far and beyond the majority of this resurgence stemmed from outside Japan. While that in and of itself is an extremely dated practice, it’s only amplified by the fact that it limits access to those within Japan.
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For those of you unfamiliar with the concept behind a “Short ver.” music video, let me fill you in in an effort to push physical sales of a DVD album tie-in release, Japanese labels will often share “Short ver.” music videos that give viewers a taste of the full video, promoting the idea that they should go buy the full release. Warner Music Japan uploading a “Short ver.” music video is blatantly tone deaf to the global movement that shot “Plastic Love” into the public eye once more. That’s all great, but this is where the biggest issue comes into play, and is something we’ve discussed quite recently. Directed by Kyotaro Hayashi, the music video showcases Tokyo in a manner that perfectly captures the sensibilities of the ’80s through a modern lens. Releasing an official music video 35 years after the songs initial release is an interesting move.
Produced by her husband and fellow industry veteran Tatsuro Yamashita a full two years after their marriage, the song captivated an entire global audience during its resurgence. It was her first #1 album on the ORICON charts, and several cuts from that album remain a celebrated part of her expansive career to date. Should the user of this website wish to inform JaME of any inaccuracies or errors found in any part of this website, please contact the JaME team via the contact form.Originally released on April 25, 1984, Mariya Takeuchi’s seminal “Variety” was a major turning point for the then 29-year-old musician. JaME assumes no responsibility for errors or omissions in this website or other websites that are referenced by or linked to this website. Although every effort is made to ensure the correctness of information published on JaME, this website may inadvertently contain technical inaccuracies or typographical errors. No article published on this website is used for commercial purposes. JaME is a multi-lingual information website and database about Japanese music. It’s just basically a term some clueless Americans came up with to categorize 70’s and 80’s music from Japan coming from the genres: funk, disco, soul, boogie, new music, jazz, r&b, and etc.You can find this city pop music practically anywhere as it’s not even really a genre of music lol If you’re African American, you already know what’s up.
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If you're enjoying the song selections, feel free to follow JaME on Spotify to stay tuned for Which cover was your favourite? Are there any tracks you'd add to the list? Let us know with a comment on social media. Zankoku na Tenshi no TEZE by Yoko Takahashi hope your quarantine be better with this Follow & Support. I decided to upload my dj exclusive edit of plastic love. Senbonzakura by Black Rabbit P/Hatsune Miku Mariya Takeuchi - Plastic Love Original Key 4:29. Lucy in the sky with Diamonds by The Beatles Konya wa Boogie Back nice vocal by Scha Dara Parr feat. I Won’t Last a Day Without You by The Carpenters The playlist includes covers of the following songs (in alphabetical order):Īi ni dekiru koto wa mada aru kai by RADWIMPSĪno Kanewo Narasunowa Anata by Akiko WadaĬALIFORNIA DREAMIN' by The Mamas and The Papas Interested in comparing the tracks with the originals but having trouble placing the names of the artists? We've got you covered.